The Green Overcoat, by Hilaire Belloc
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The Green Overcoat, by Hilaire Belloc
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"The Green Overcoat" is and pretends to be nothing but a piece of amusing foolery. But when a Belloc and a Chesterton collaborate in nonsense, something is "bound to drop." Mr. Chesterton, to be sure, appears here only in the new ro1e of illustrator, but he does a very good job. His drawings belong to no recognizable school or manner, and we are grateful for this as well as for the fact that they actually illustrate the text—a thing which professional illustrators seldom stoop to. He must have had almost as much fun doing the pictures as Mr. Belloc had spinning the yarn. It is a blithe fantasy, in which, thank Heaven, there is not a word of sense. A number of ridiculous things happen to a number of ridiculous persons, and Mr. Belloc conveys them to us with the careless gusto of an after-dinner intimate. It all begins with the purloining by a Professor of Psychology of a magnificent green overcoat belonging to a rich retired merchant. It is the kind of overcoat which brings misfortune to all illegal possessors, and only blesses the original owner. The Professor is pretty roughly handled by fate, becomes a forger and an impostor, and is saved from public exposure and disgrace only by an ingenious turn of chance which makes silence very much to the interest of the overcoat's rightful owner. The Professor is left by the adventure the reputed possessor of a considerable fortune, and a revered authority on psychic phenomena. I love Mr. Belloc's blithe and casual conclusion. Summing up with a row of "hows," he concludes: "...How Professor Higginson was compelled for many years to review the wildest books about spooks, and to lecture till he was thin as a rail (often for nothing) upon the same subject—all these things you will have to read in some other book, which I most certainly do not mean to write, and which I do not think anybody else will write for you.... How Guelph University looked when it found there was no Ten Thousand Pounds at all after Professor Higginson's death none of us know, for the old idiot is not yet dead. How they will look does not matter in the least, for the whole boiling of them are only people in a story, and there is an end of them." —The Independent, Volume 109 [1922]
The Green Overcoat, by Hilaire Belloc- Published on: 2015-09-14
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .76" w x 6.00" l, .99 pounds
- Binding: Paperback
- 334 pages
About the Author Gilbert Keith Chesterton was born in London, England, in 1874. He went on to study art at the Slade School, and literature at University College in London. Chesterton wrote a great deal of poetry, as well as works of social and literary criticism. Among his most notable books are "The Man Who Was Thursday", a metaphysical thriller, and "The Everlasting Man", a history of humankind's spiritual progress. After Chesterton converted to Catholicism in 1922, he wrote mainly on religious topics such as "Orthodoxy" and "Heretics". Chesterton is most known for creating the famous priest-detective character Father Brown, who first appeared in "The Innocence of Father Brown". Chesterton died in 1936 at the age of 62.
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Most helpful customer reviews
0 of 0 people found the following review helpful. Second Best Belloc Introduction Ever By R. S. Corzine Second only to the introduction to "Path to Rome" which may be the best introduction in all of English letters (it is titled "In Praise of This Book"), I would place the dedication to Green Overcoat. Anyone who could take the book seriously after that deserves to be disappointed. Belloc parodies not just the detective novel but a whole cast of contemporary personalities. The internal reasonings of the professor are spot on and hilarious. The wealthy industrialist is the victim of a crime instead of its perpetrator but, in classic Belloc form, manages to be the villain of the piece anyway.
2 of 6 people found the following review helpful. Tiresome detective satire By Patrick Odaniel I usually gobble up Belloc, but this one left me with a sense of indigestion. This is intended as a satirical pastiche of a number of different detective/mystery writers from the early part of the century. I don't care for that genre. There, I've said it--just shut the door on the whole lot. I suppose if you like this sort of thing, you might find it amusing. Oh, and there are funny pictures by G. K. Chesterton. Okay, maybe this book is a bit of a lark, after all. I'm still shutting the door, though.
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