Sabtu, 30 November 2013

Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

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Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott



Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

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How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott’s droll and delightful “romance of many dimensions” explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers’ imaginations beyond the limits of their “respective dimensional prejudices.” Unless you’re a mathematician, the chances of you reading any novels about geometry are probably slender. But if you read only one in your life, this should be at the top of your list. Flatland imagines a two-dimensional world inhabited by sentient geometric shapes who think their planar world is all there is. But one Flatlander, a Square, discovers the existence of a third dimension and the limits of his world’s assumptions about reality and comes to understand the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England. Includes unique illustrations.

Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

  • Amazon Sales Rank: #3033295 in eBooks
  • Published on: 2015-09-23
  • Released on: 2015-09-23
  • Format: Kindle eBook
Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

About the Author Edwin Abbott Abbott (1838-1926) has been ranked as one of the leading scholars and theologians of the Victorian era. He received highest honors in mathematics, classics, and theology at St. John's College, Cambridge, and in 1862 began a brilliant career, during which he served as schoolmaster of some of England's outstanding schools. At the same time he distinguished himself as a scholar, and in 1889 he retired to his studies. Although "Flatland, a literary jeu d'esprit, " has given pleasure to thousands of readers over many generations, Abbott is best known for his scholarly works, especially his "Shakespearian Grammar "and his life of Francis Bacon, and for a number of theological discussions.


Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

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113 of 124 people found the following review helpful. Mind bender anyone? By A Customer Although it isn't very long, Flatland does take a long time to read. This isn't because it is boring, or because it is hard to read, but because of the large amount of digestion one need's to fully comprehend (and to fully enjoy) this book. Even this book contains only 82 pages, it is by no means light reading. The book was originally released in 1884 under Abbott's pseudonym A Square. In the story we follow the journey of a square who lives in a land of two dimensions--a flat land. In it class, and ultimately intelligence, is determined by the amount of sides that a shape has. As the amount of sides a shape has decreases, we find that it also is more emotional and apt to cause destruction through their pointed corners. Women are depicted as straight lines, but one has to take into account the time that this book was published. One can also disregard the story as having any relations to anything in our society and enjoy it for what it is, a mind bending social criticism. In this tale we follow the aforementioned square through his everyday life. we learn what it is like to exist in only two dimensions. We learn of how rain falls form the north and disappears to the south and how gravity is a minute force that pulls to the south ever so slightly. We follow him through the government and through social classes, and the discrimination that comes with them. When his son talks of geometric impossibilities such as 23 (cubed) he has a dream of a lesser land than his, a land called line land. IN it there is not two but only one dimension of being. Through discussion with the kind of lineland, we are offered insight into why our hero the square cannot conceive of the third dimension. Later our hero is visited by a great being, a sphere that appears to him seemingly out of nowhere. This confuses the square very much, and even more when the sphere tries to explain how he passed into his dimension from the third. After heated debate, the sphere takes him and shows him the third dimension, turning our hero into an evolved form of him self, a cube. Form his higher vantage point the square is able to see the innards of those who reside in flatland. He receives tutoring from the sphere about this new dimension and all that it entails. He learns of how limited the field of vision is for those living in flatland, both literally and figuratively. With his previous limits of reality stripped and with his eye opened to the truth, the square quickly follows logic and asks to see the insides of the sphere, and wishes to ascend further into greater dimensions, fourth dimensions and fifth and onward and upward. The sphere is appalled by this heresy and send our hero back to the limited realm of flatland. Here he tries to convince others to be enlightened, but cannot find success. He has a second dream involving the dimension of pointland, no dimensions. The being inhabiting this land is of nothing and knows nothing but itself, which is nothing. There fore this being cannot be disappointed by anything, because it cannot conceive of anything other than itself. We can see the religious parallels to Hinduism and Buddhism here. The completely content creature is of nothingness, much like the state that Buddhists try to achieve, and the outward ranking by dimension not sides can be seen in Hinduism in the spiral path towards God that the Hindu believe they travel along passing from one point on the spiral to another with each passing life. In this land of math all of the lands are contained within each other, much like the rings of the spiral. Finally after this dream the square realizes the futility of trying to convince others through speech, and he feels he must do it through demonstration. Folks hear of his heresy and bring him to the court for the climax of the book. Whether or not the plot of the novel itself is very entertaining, the ability to get your head around concepts that can only be experienced through the mind is challenged thoroughly by this novel. It is a must read for anyone who thinks that they are well educated, as it will quickly tell you just where you stand, theologically, philosophically and mathematically.

70 of 76 people found the following review helpful. Unimaginable Dimensions By Jon Linden Flatland is a unique and brilliant treatise on a trifurcated level. It is a sociological statement, a mathematical statement and a religious statement all rolled into an incredibly astute 82 pages. The book centers mostly on the differences between a two dimensional world and a three dimensional world; but comments on society, law, prejudice, religion, and proselytizing. The book especially points out the difficulty in envisioning a greater reality and a greater vision than is commonly observed by any individual in any dimension or society. The author's premise relates to things existing in a "plane geometry" world as opposed to a "Euclidian Geometric" three dimensional figure universe. The book carefully illustrates to one denizen of Flatland how the three dimensional world of space works and/or exists. Upon finally understanding the "Gospel of Three Dimensions" our protagonist goes on to try and apply the same arithmetic logic and geometric analogs to a fourth dimensional universe. Shouldn't there exist a fourth dimensional universe that allows an entity to look down upon the three dimensional universe with as much transparency as one can from three dimensions to two?Alas, things become different in dimensions other than the first, a world of lines, the second, a world of shapes and the third, a world of objects. In the zero dimension, all things are a point. Mathematically we know that any number raised to the "0" power equals 1 and therefore, all things in the zero dimension resolve into one single omnipotent point. This condition would also exist in the fourth dimension; as those of us in the third dimension have no model to compare it to. Envisioning a fourth dimension, even with time as the fourth dimension is truly difficult or impossible for us in the third dimension.Interspersed with this witty and intellectual dialogue are comments on society and its structure. He specifically comments multiple times of the degradation of women in society to the lowest social status. Only men are educated in Flatland. Interestingly, he paints a picture of an authoritarian society in which people are judged by their shapes and angles. This reflecting the Victorian societal values around him at the time of his writing.Flatland is recommended to all those who seek to enlighten their view of the universe and of potential universes. It is especially recommended to those seeking higher knowledge of any type. Flatland is truly a multi-dimensional experience and worth every minute.

88 of 97 people found the following review helpful. Horrible Edition By M. Gajdosik This edition is essentially unreadable and not representative of traditional printings. It's printed directly from the digitized (and free) copy from Google Books and has clearly had NO editing work done. The book is filled with references to figures that were not included, mangled words, and seemingly random breaks and markings in some spots. This would be fine for a free digitized text online, but is entirely unacceptable for a paid-for product, especially a short book that would be similarly priced in a physical store.

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Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott
Flatland A Romance of Many Dimensions (illustrated), by Edwin Abbott Abbott

Sabtu, 09 November 2013

A House-Boat on the Styx, by John Kendrick Bangs

A House-Boat on the Styx, by John Kendrick Bangs

A House-Boat On The Styx, By John Kendrick Bangs How a simple idea by reading can enhance you to be a successful individual? Reviewing A House-Boat On The Styx, By John Kendrick Bangs is a really straightforward activity. Yet, exactly how can many people be so careless to review? They will certainly prefer to spend their spare time to talking or hanging out. When as a matter of fact, reading A House-Boat On The Styx, By John Kendrick Bangs will provide you much more possibilities to be effective finished with the efforts.

A House-Boat on the Styx, by John Kendrick Bangs

A House-Boat on the Styx, by John Kendrick Bangs



A House-Boat on the Styx, by John Kendrick Bangs

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The book begins with Charon, ferryman of the Styx startled--and annoyed--by the arrival of a house boat on his mystical river. At first afraid that the boat will put him out of business, he later finds out that he is to be appointed the boat's janitor. What follows are eleven stories set on the house boat. There is no central theme; each chapter features various souls from history and mythology, and in the twelfth chapter the house boat disappears, seguing into the sequel, Pursuit of the House-Boat.

A House-Boat on the Styx, by John Kendrick Bangs

  • Amazon Sales Rank: #1523775 in Books
  • Published on: 2015-09-17
  • Original language: English
  • Dimensions: 9.00" h x .23" w x 6.00" l,
  • Binding: Paperback
  • 98 pages
A House-Boat on the Styx, by John Kendrick Bangs

About the Author John Kendrick Bangs had a uniquely American approach in his writings. He wrote fantasy set in the after-life. His satire and writings focused on the popular culture and prevalent trends.


A House-Boat on the Styx, by John Kendrick Bangs

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7 of 7 people found the following review helpful. Brilliant Satire By Robert O. Adair John Kendrick Bangs was one of the most popular humorists in the 1890's. Most of what he wrote, though very clever, will probably come across as very dated today. One exception is A House-Boat on the Styx. This book is written in the succession of Homer, Vergil, and Dante as a major work on "The Lower Regions". It is reminiscent of Lucian of Samosta and several other ancient writers including Aristophanes. Bangs' story takes place in the afterlife when Napoleon, Washington, Baron Munchausen, Dr. Johnson, Goldsmith, Mark Twain, Kipling and others form a men's club which meets in a plush, luxurious houseboat anchored on the edge of the river Styx. Anyone who likes history and brilliant, satyrical wit would enjoy this book. It is a timeless classic.

4 of 4 people found the following review helpful. Bangsian Fantasy By Kat Hooper John Kendrick Bangs (1862-1922) was an American humorist who edited some popular American magazines such as Harper's Weekly and Puck. His satirical novella A House-Boat on the Styx is responsible for the term Bangsian Fantasy, which refers to stories about famous people in the afterlife (e.g., Philip Jose Farmer's Riverworld series).In A House-Boat on the Styx, Charon the ferryman is dismayed to discover that he's got some competition in the transportation business -- a posh new riverboat has appeared on the Styx and there's no way his craft can compete. His fears of bankruptcy are relieved, though, when he's asked to be the janitor of the new boat which belongs to an exclusive men's club run by Sir Walter Raleigh. Raleigh and his colleagues spend their time playing cards and pool, smoking tobacco, and hosting fights (e.g., Goliath vs. Samson) and debates (Noah vs. P.T. Barnum: Which animals should have been saved from the flood?). They also have occasional business meetings in which they discuss agenda items such as whether or not there should be a Ladies' Day on the boat (yes, but Lucretia Borgia and Delilah are not invited) and whether poets should have their own Poets' Corner (yes, because then they won't be lounging across all the chairs, scribbling drafts on the pool tables, and boring everyone else with their recitations).There's almost no action in A House-Boat on the Styx and no need for characterization since all of the characters are already known to us. The story is almost all dialogue as, for example, Shakespeare defends the authorship of his plays, Solomon's Proverbs are called a hack-job, Confucius complains about the poets, the logistics of all of Henry VIII's wives attending Ladies' Day is discussed, Baron Münchausen is accused of making up stories, Sir Walter Raleigh is discovered to be setting up his witticisms so his biographer can record them, Jonah insists that his whale is copyrighted, and Eve laments that she never gets invited to Queen Elizabeth's parties because she has no pedigree.Much of this dialogue is very funny, but it occasionally comes off as a stand-up comedy routine when the jokes are transparently set up:Sir Walter Raleigh: ...Queen Elizabeth could have married a hundred times over if she had wished. I know I lost my head there completely.John Dryden: That shows, Sir Walter, how wrong you are. You lost your head to King James. Hi! Shakespeare, here's a man doesn't know who chopped his head off.Of course, it will be helpful to be familiar with these pre-20th-century characters and their "issues," but most adults will understand most of the allusions and the others can be easily investigated on the internet. I enjoyed the banter, but it was non-stop, so I was ready for it to end when it did. However, at the very end of A House-Boat on the Styx, some action finally did occur when Captain Kidd showed up. So now I'm eager to read the next installment, The Pursuit of the Houseboat.A House-Boat on the Styx and The Pursuit of the Houseboat are available on Kindle in the Halcyon Classics edition, which contains 48 works by John Kendrick Bangs for (at this writing) only $1.99. Both books are rather short and easily read in an afternoon.

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A House-Boat on the Styx, by John Kendrick Bangs

A House-Boat on the Styx, by John Kendrick Bangs
A House-Boat on the Styx, by John Kendrick Bangs